Category Archives: Arts

The future of make-up

I was digging through some old 2002 powerpoint slides for an article on active skin and stumbled across probably the worst illustration I have ever done, though in my defense, I was documenting a great many ideas that day and spent only a few minutes on it:

smart makeup

If a woman ever looks like this, and isn’t impersonating a bald Frenchman, she has more problems to worry about than her make-up. The pic does however manage to convey the basic principle, and that’s all that is needed for a technical description. The idea is that her face can be electronically demarked into various makeup regions and the makeup on those regions can therefore adopt the appropriate colour for that region. In the pic ‘nanosomes’ wasn’t a serious name, but a sarcastic take on the cosmetics industry which loves to take scientific sounding words and invent new ones that make their products sound much more high tech than they actually are. Nanotech could certainly play a role, but since the eye can’t discern features smaller than 0.1mm, it isn’t essential. This is no longer just an idea, companies are now working on development of smart makeup, and we already have prototype electronic tattoos, one of the layers I used for my active skin but again based on an earlier vision.

The original idea didn’t use electronics, but simply used self-organisation tech I’d designed in 1993 on an electronic DNA project. Either way would work, but the makeup would be different for each.

The electronic layer, if required, would most likely be printed onto the skin at a beauty salon, would be totally painless, last weeks and could take only a few minutes to print. It extends IoT to the face.

Both mechanisms could use makeup containing flat plates that create colour by diffraction the same way the scales on a butterfly does. That would make an excellent colour pallet. Beetles produce colour a different way and that would work too. Or we could copy squids or cuttlefish. Nature has given us many excellent start points for biomimetics, and indeed the self-organisation principles were stolen from nature too. Nature used hormone gradients to help your cells differentiate when you were an embryo. If nature can arrange the rich microscopic detail of every part of your face, then similar techniques can certainly work for a simple surface layer of make-up. Having the electronic underlay makes self organisation easier but it isn’t essential. There are many ways to implement self organisation in makeup and only some of them require any electronics at all, and some of those would use electronic particles embedded in the make-up rather than an underlay.

An electronic underlay can be useful to provide the energy for a transition too, and that allows the makeup to change colour on command. That means in principle that a woman could slap the makeup all over her face and touch a button on her digital mirror (which might simply be a tablet or smart phone) and the make-up would instantly change to be like the picture she selected. With suitable power availability, the make-up could be a full refresh rate video display, and we might see teenagers walking future streets wearing kaleidoscopic make-up that shows garish cartoon video expressions and animates their emoticons. More mature women might choose different appearances for different situations and they could be selected manually via an app or gesture or automatically by predetermined location settings.

Obviously, make-up is mostly used on the face, but once it becomes the basis of a smear-on computer display, it could be used on any part of the body as a full touch sensitive display area, e.g. the forearm.

Although some men already wear makeup, many more might use smart make-up as its techie nature makes it more acceptable.

The future of feminism and fashion

Perhaps it’s a bit presumptive of me to talk about what feminists want or don’t want, but I will make the simplifying assumption that they vary somewhat and don’t all want the same things. When it comes to makeup, many feminists want to look how they want to look for their own pleasure, not specifically to appeal to men, or they may want to attract some people and not others, or they may not want to bother with makeup at all, but still be able to look nice for the right people.

Augmented reality will allow those options. AR creates an extra layer of appearance that allows a woman to present herself any way she wants via an avatar, and also to vary presented appearance according to who is looking at her. So she may choose to be attractive to people she finds attractive, and plain to people she’d rather not get attention from. This is independent of any makeup she might be wearing, so she may choose not to wear any at all and rely entirely on the augmented reality layer to replace makeup, saving a lot of time, effort and expense. She could even use skin care products such as face masks that are purely functional, nourishing or protecting her face, but which don’t look very nice. Friends, colleagues and particular subsections of total strangers would still see her as she wants to be seen and she might not care about how she appears to others.

It may therefore be possible that feminism could use makeup as a future activist platform. It would allow women to seize back control over their appearance in a far more precise way, making it abundantly clear that their appearance belongs to them and is under their control and that they control who they look nice for. They would not have to give up looking good for themselves or their friends, but would be able to exclude any groups currently out of favour.

However, it doesn’t have to be just virtual appearance that they can control electronically. It is also possible to have actual physical makeup that changes according to time, location, emotional state or circumstances. Active makeup does just that, but I’ve written too often about that. Let’s look instead at other options:

Fashion has created many different clothing accessories over the years. It has taken far longer than it should, but we are now finally seeing flexible polymer displays being forged into wrist watch straps and health monitoring bands as well as bendy and curvy phones. As 1920s era fashion makes a small comeback, it can’t be long before headbands and hair-bands come back and they would be a perfect display platform too. Hair accessories can be pretty much any shape and size, and be a single display zone or multiple ones. Some could even use holographic displays, so that the accessory seems to change its form, or have optional remote components seemingly hanging free in the nearby air. Any of these could be electronically controllable or set to adjust automatically according to location and the people present.

Displays would also make good forehead jewellery, such as electronic eyebrows, holographic jewels, smart bindis, forehead tattoos and so on. They could change colour or pattern according to emotions for example. As long as displays are small, skin flexing doesn’t present too big an engineering barrier.

In fact, small display particles such as electronic glitter could group together to appear as a single display, even though each is attached to a different piece of skin. Thus, flexing of the skin is still possible with a collection of rigid small displays, which could be millimetre sized electronic glitter. Electronic glitter could contain small capacitors that store energy harvested from temperature difference between the skin and the environment, periodically allowing a colour change.

However, it won’t be just the forehead that is available once displays become totally flexible. That will make the whole visible face an electronic display platform instead of just a place for dumb makeup. Smart freckles and moles could make a fashion reappearance. Lips and cheeks could change colour according to mood and pre-decided protocols, rather than just at the whim of nature.

Other parts of the body would likely house displays too. Fingernails and toenails could be an early candidate since they are relatively rigid. The wrist and forearm are also often exposed. Much of the rest of the body is concealed by clothing most of the time, but seasonal displays are likely when it is more often bare. Beach displays could interact with swimwear, or even substitute for it.

In fact, enabling a multitude of tiny displays on the face and around the body will undoubtedly create a new fashion design language. Some dialects could be secret, only understood by certain groups, a tribal language. Fashion has always had an extensive symbology and adding electronic components to the various items will extend its potential range. It is impossible to predict what different things will mean to mainstream and sub-cultures, as meanings evolve chaotically from random beginnings. But there will certainly be many people and groups willing to capitalise on the opportunities presented. Feminism could use such devices and languages to good effect.

Clothing and accessories such as jewellery are also obvious potential display platforms. A good clue for the preferred location is the preferred location today for similar usage. For example, many people wear logos, messages and pictures on their T-shirts, whereas other items of clothing remain mostly free of them. The T-shirt is therefore by far the most likely electronic display area. Belts, boots, shoes and bag-straps offer a likely platform too, not because they are used so much today, but because they again present an easy and relatively rigid physical platform.

Timescales for this run from historical appearance of LED jewellery at Christmas (which I am very glad to say I also predicted well in advance) right through to holographic plates that appear to hover around the person as they walk around. I’ve explained in previous blogs how actual floating and mobile plates could be made using plasma and electro-magnetics. But the timescale of relevance in the next few years is that of the cheaper and flexible polymer display. As costs fall and size increases, in parallel with an ever improving wireless and cloud infrastructure, the potential revenue from a large new sector combining the fashion and display industries will make this not so much likely as  inevitable.

A poem for the royal baby, Wossername

I read that the Poet Laureate, Carol Ann Duffy won’t write a poem for the new royal baby, so that creates a wonderful vacuum for the rest of us to fill. I’ve always enjoyed writing silly rhymes. I don’t like the monarchy, but I’m no Poet Laureate either, so they cancel and make it appropriate for me to write and get back in fun a little of what I have to shell out in taxes to support them.

In fairness, as with any other new baby, I wish them all well. The new princess didn’t choose to be royal any more than you or I. This ‘poem’ reflects on the outdated principle of the monarchy rather than the personal.


An ode to Princess Wossername

Two point seven new babies per second,

The world produces, so it’s reckoned

They may be born to rich or poor

Whiter, blacker, browner, bluer


Now one has come to Wills and Kate

Her whole life paid for by the state

A posher form of welfare sure

A form of exploitation pure


The kings and queens of ages old

Got rich by winning battles bold

They had to risk the chop or Tower

To get their bloodied hands on power


Now silver spoon and golden chalice

Fancy gown and finest palace

Are paid for out of hard-won tax

Squeezed from subjects to the max


So what sets this new girl apart

From cleaner, doctor, maid or tart?

What justifies her life of ease

Her right to wealth instead of fleas?


I do not know the answer there

It seems to me a bit unfair

That she’ll be given so much more

Than babies born through other doors


It’s time to stop this royal scam

While she’s confined within her pram

To treat like any other wain

This little Princess Wossername


possibly helpful note: wain is scottish slang for ‘child’


Will making fun of people soon become illegal?

I don’t think I need to add much more than the title really, but here’s a little encouragement to think about it yourself:


I enjoy watching comedy a lot, and I would hate for it to be restrained even further than it already is, but taking an outside view, trends certainly suggest a gradual closing down of any form of aggression or intimidation or discrimination towards any type of person for any reason. Much of comedy could be considered a form of aggression or bullying as anyone who has been made fun of could testify. A lot more could be considered intimidation and a lot more is discriminatory, certainly from a party viewpoint.

Gender, sexuality, religion and race comedy have all been closing rapidly except to those from the victim groups, who may use comedy as a form of defense, or to cast light on particular problems, or let’s face it, to make money by exploiting the monopoly created by forbidding others to joke about it.

Comedians are very often extremely left or right wing. They do have influence on people’s voting because nobody wants to be the butt of a joke. It is not impossible that comedy shows could fall into regulatory control to ensure fairness during political campaigns, just as party political broadcasts and air time on debates.

In the election, a huge amount of comedy was simple making fun of the candidates personally, not based on their views, but simply based on how they look (Sturgeon portrayed as Jimmy Crankie), or how they tackle a bacon sandwich. I am very pleased Miliband lost, but I’m not the most photogenic person in the world either and I have to empathise with the personal attacks on his nerdity and awkwardness during the campaign, which have nothing to do with his political views or capability (or in his case otherwise). If you go frame by frame through a video of almost anyone as they talk, you can eventually find an expression to support almost any agenda you want. I think that people should develop a thick skin if they are in the public eye, or should they? Should they be defended against blatant and possibly hurtful personal attacks.

I laugh as much as anyone at jokes at someone else’s expense. I’m no politically correct saint. I am happy to suffer occasional jokes at my expense if I can laugh at others, but maybe that’s just because I don’t get all that many. But as a futurist, it seems to me that this sort of comedy is likely to be in the firing line soon too. It may not happen, and I hope it doesn’t, but PC trends are heading that way.

The future of publishing

There are more information channels now than ever. These include thousands of new TV and radio channels that are enabled by the internet, millions of YouTube videos, new electronic book and magazine platforms such as tablets and mobile devices, talking books, easy print-on-demand, 3D printing, holograms, games platforms, interactive books, augmented reality and even AI chatbots, all in parallel with blogs, websites and social media such as Facebook, Linked-In, Twitter, Pinterest, Tumblr and so on. It has never been easier to publish something. It no longer has to cost money, and many avenues can even be anonymous so it needn’t even cost reputation if you publish something you shouldn’t. In terms of means and opportunity, there is plenty of both. Motive is built into human nature. People want to talk, to write, to create, to be looked at, to be listened to.

That doesn’t guarantee fame and fortune. Tens of millions of electronic books are written by software every year – mostly just themed copy and paste collections using content found online –  so that already makes it hard for a book to be seen, even before you consider the millions of other human authors. There are hundreds of times more new books every year now than when we all had to go via ‘proper publishers’.

The limiting factor is attention. There are only so many eyeballs, they only have a certain amount of available time each day and they are very spoiled for choice. Sure, we’re making more people, but population has doubled in 30 years, whereas published material volume doubles every few months. That means ever more competition for the attention of those eyeballs.

When there is a glut of material available for consumption, potential viewers must somehow decide what to look at to make the most of their own time. Conventional publishing had that sorted very well. Publishers only published things they knew they could sell, and made sure the work was done to a high quality – something it is all too easy to skip when self-publishing – and devoted the largest marketing budgets at those products that had the greatest potential. That was mostly determined by how well known the author was and how well liked their work. So when you walked through a bookshop door, you are immediately faced with the books most people want. New authors took years of effort to get to those places, and most never did. Now, it is harder still. Self-publishing authors can hit the big time, but it is very hard to do so, and very few make it.

Selling isn’t the only motivation for writing. Writing helps me formulate ideas, flesh them out, debug them, and tidy them up into cohesive arguments or insights. It helps me maintain a supply of fresh and original content that I need to stay in business. I write even when I have no intention of publishing and a large fraction of my writing stays as drafts, never published, having served its purpose during the act of writing. (Even so, when I do bother to write a book, it is still very nice if someone wants to buy it). It is also fun to write, and rewarding to see a finished piece appear. My sci-fi novel Space Anchor was written entirely for the joy of writing. I had a fantastic month writing it. I started on 3 July and published on 29th. I woke every night with ideas for the next day and couldn’t wait to get up and start typing. When I ran out of ideas, I typed its final paragraphs, lightly edited it and published.

The future of writing looks even more fun. Artificial intelligence is nowhere near the level yet where you can explain an idea to a computer in ordinary conversation and tell it to get on with it, but it will be one day, fairly soon. Interactive writing using AI to do the work will be very reward-rich, creativity-rich, a highly worthwhile experience in itself regardless of any market. Today, it takes forever to write and tidy up a piece. If AI does most of that, you could concentrate on the ideas and story, the fun bits. AI could also make suggestions to make your work better. We could all write fantastic novels. With better AI, it could even make a film based on your ideas. We could all write sci-fi films to rival the best blockbusters of today. But when there are a billion fantastic films to watch, the same attention problem applies. If nobody is going to see your work because of simple statistics, then that is only a problem if your motivation is to be seen or to sell. If you are doing it for your own pleasure, then it could be just as rewarding, maybe even more so. A lot of works would be produced simply for pleasure, but that still dilutes the marketplace for those hoping to sell.

An AI could just write all by itself and cut you out of the loop completely. It could see what topics are currently fashionable and instantaneously make works to tap that market. Given the volume of computer-produced books we already have, adding high level AI could fill the idea space in a genre very quickly. A book or film would compete against huge numbers of others catering to similar taste, many of which are free.

AI also extends the market for cooperative works. Groups of people could collaborate with AI doing all the boring admin and organisation as well as production and value add. The same conversational interface would work just as well for software or app or website production, or setting up a company. Groups of friends could formulate ideas together, and produce works for their own consumption. Books or films that are made together are shared experiences and help bind the group together, giving them shared stories that each has contributed to. Such future publication could therefore be part of socialization, a tribal glue, tribal identity.

This future glut of content doesn’t mean we won’t still have best sellers. As the market supply expands towards infinity, the attention problem means that people will be even more drawn to proven content suppliers. Brands become more important. Production values and editorial approach become more important. People who really understand a market sector and have established a strong presence in it will do even better as the market expands, because customers will seek out trusted suppliers.

So the future publishing market may be a vast sea of high quality content, attached to even bigger oceans of low quality content. In that world of virtually infinite supply, the few islands where people can feel on familiar ground and have easy access to a known and trusted quality product will become strong attractors. Supply and demand equations normally show decreasing price as supply rises, but I suspect that starts to reverse once supply passes a critical point. Faced with an infinite supply of cheap products, people will actually pay more to narrow the choice. In that world, self-publishing will primarily be self-motivated, for fun or self-actualization with only a few star authors making serious money from it. Professional publishing will still have most of the best channels with the most reliable content and the most customers and it will still be big business.

I’ll still do both.

Forehead 3D mist projector

Another simple idea. I was watching the 1920s period drama Downton Abbey and Lady Mary was wearing a headband with a large jewel in it. I had an idea based on linking mist projection systems to headbands. I couldn’t find a pic of Lady Mary’s band on Google but many other designs would work just as well and the one from ASOS would be just as feasible. The idea is that a forehead band (I’m sure there is a proper fashion name for them) would have a central ‘jewel’ which is actually just an ornamental IT capsule containing a misting device and a projector as well as the obvious power supply, comms, processing, direction detectors etc. A 3D image would be projected onto water mist emitted from the reservoir in the device. A simple illustration might help:

forehead projector


Many fashion items make comebacks and a lot of 1920s things seem to be in fashion again now. This could be a nice electronic update to a very old fashion concept. With a bit more miniaturisation, smart bindis would also be feasible. It could be used with direction sensing to enable augmented reality use, or simply to display the same image regardless of gaze direction. Unlike visor based augmented reality, others would be able to see the same scene visualised for the wearer.

OLED fashion contact lenses

Self explanatory concept, but not connected to my original active contact lens direct retinal projection concept. This one is just fashion stuff and could be done easily tomorrow. I allowed a small blank central area so that you aren’t blinded if you wear them. This version doesn’t project onto the retina, though future versions could also house and power devices to do so.

Fashion contacts

OK, the illustration is crap, but I’m an engineer, not a fashion designer. Additional functionality could be to display a high res one time code into iris recognition systems for high security access.

The future of rubbish quality art

Exhibit A: Tracey Emin – anything at all from her portfolio will do.

Exhibit B: What I just knocked up in 5 minutes:

Exploration of the real-time gravitational interaction of some copper atoms

Exploration of the real-time gravitational interaction of some copper atoms

A recent work, I can Cu Now

As my obvious  artistic genius quickly became apparent to me, I had a huge flash of inspiration and produced this:

Investigating the fundamental essence of futurology and whether the process of looking into the future can be fully contained within a finite cultural bottle.

Investigating the fundamental essence of futurology and whether the process of looking into the future can be fully contained within a finite cultural bottle.

Trying to bottle the future

I have to confess that I didn’t make the beautiful bottle, but even Emin only has a little personal  input into some of the works she produces and it is surely obvious that my talent in arranging this so beautifully is vastly greater than that of the mere sculptor who produced the vase, or bottle, or whatever. Then, I produced my magnum opus, well so far, towards the end of my five minutes of exploration of the art world. I think you’ll agree I ought immediately to be assigned Professor of Unified Arts in the Royal Academy. Here it is, if I can see well enough to upload it through my tears of joy at having produced such insight.

Can we measure the artistic potential of a rose?

Can we measure the artistic potential of a rose?

This work needs no further explanation. I rest my case.

The future of creativity

Another future of… blog.

I can play simple tunes on a guitar or keyboard. I compose music, mostly just bashing out some random sequences till a decent one happens. Although I can’t offer any Mozart-level creations just yet, doing that makes me happy. Electronic keyboards raise an interesting point for creativity. All I am actually doing is pressing keys, I don’t make sounds in the same way as when I pick at guitar strings. A few chips monitor the keys, noting which ones I hit and how fast, then producing and sending appropriate signals to the speakers.

The point is that I still think of it as my music, even though all I am doing is telling a microprocessor what to do on my behalf. One day, I will be able to hum a few notes or tap a rhythm with my fingers to give the computer some idea of a theme, and it will produce beautiful works based on my idea. It will still be my music, even when 99.9% of the ‘creativity’ is done by an AI. We will still think of the machines and software just as tools, and we will still think of the music as ours.

The other arts will be similarly affected. Computers will help us build on the merest hint of human creativity, enhancing our work and enabling us to do much greater things than we could achieve by our raw ability alone. I can’t paint or draw for toffee, but I do have imagination. One day I will be able to produce good paintings, design and make my own furniture, design and make my own clothes. I could start with a few downloads in the right ballpark. The computer will help me to build on those and produce new ones along divergent lines. I will be able to guide it with verbal instructions. ‘A few more trees on the hill, and a cedar in the foreground just here, a bit bigger, and move it to the left a bit’. Why buy a mass produced design when you can have a completely personal design?

These advances are unlikely to make a big dent in conventional art sales. Professional artists will always retain an edge, maybe even by producing the best seeds for computer creativity. Instead, computer assisted and computer enhanced art will make our lives more artistically enriched, and ourselves more fulfilled as a result. We will be able to express our own personalities more effectively in our everyday environment, instead of just decorating it with a few expressions of someone else’s.

However, one factor that seems to be overrated is originality. Anyone can immediately come up with many original ideas in seconds. Stick a safety pin in an orange and tie a red string through the loop. There, can I have my Turner prize now? There is an infinitely large field to pick from and only a small number have ever been realized, so coming up with something from the infinite set that still haven’t been thought of is easy and therefore of little intrinsic value. Ideas are ten a penny. It is only when it is combined with judgement or skill in making it real that it becomes valuable. Here again, computers will be able to assist. Analyzing a great many existing pictures or works or art should give some clues as to what most people like and dislike. IBM’s new neural chip is the sort of development that will accelerate this trend enormously. Machines will learn how to decide whether a picture is likely to be attractive to people or not. It should be possible for a computer to automatically create new pictures in a particular style or taste by either recombining appropriate ideas, or just randomly mixing any ideas together and then filtering the new pictures according to ‘taste’.

Augmented reality and other branches of cyberspace offer greater flexibility. Virtual objects and environments do not have to conform to laws of physics, so more elaborate and artistic structures are possible. Adding in 3D printing extends virtual graphics into the physical domain, but physics will only apply to the physical bits, and with future display technology, you might not easily be able to see where the physical stops and the virtual begins.

So, with machine assistance, human creativity will no longer be as limited by personal skill and talent. Anyone with a spark of creativity will be able to achieve great works, thanks to machine assistance. So long as you aren’t competitive about it, (someone else will always be able to do it better than you) your world will feel nicer, more friendly and personal, you’ll feel more in control, empowered, and your quality of life will improve. Instead of just making do with what you can buy, you’ll be able to decide what your world looks, sounds, feels, tastes and smells like, and design personality into anything you want too.

Future fashion fun – digital eyebrows

I woke in the middle of the night with another idea not worth patenting, and I’m too lazy to do it, so any entrepreneur who’s too lazy to think of ideas can have it, unless someone already has.

If you make an app that puts a picture of an eyebrow on a phone screen and moves it according to some input (e.g voice, touch, or networked control by your friends or venue), you could use phones to do fun eyebrowy type things at parties, concerts, night clubs etc. You need two phones or a midi-sized tablet unless your eyes are very close together. The phones have accelerometers that know which way up they are and can therefore balance the eyebrows in the right positions. So you can make lots of funny expression on people’s faces using your phones.

Not a Facebook-level idea you’ll agree, but I can imagine some people doing it at parties, especially if they are all controlled by a single app, so that everyone’s eyebrows make the same expression.

You could do it for the whole eye/eyebrow, but then of course you can’t see the your friends laughing, since you’re holding a screen in front of your eyes.

You could have actual physical eyebrows that attach to the tops of your glasses, also controlled remotely.

You could use e-ink/e-paper and make small patches to stick on the skin that do the same function, or a headband. Since they don’t need much power, you won’t need big batteries.

You could do the same for your nose or mouth, so that you have a digitally modifiable face controlled by your friends.

I’m already bored.